The following contains some excerpts and links from the new literary chapter, “Salvo Siempre Salvo,” composed for the living, multi-media grimoire, HAUNT MANUAL, by We The Hallowed’s Revelator Keats Rosz.
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HAUNT ∴ MANUAL’s
“SALVO SIEMPRE SALVO”
The Aspectre’s Revelations ∴ Serpentine Synchronicity Spirals ∴ Hauntological Contradictions
THE HAUNTED LEXICON
∴ A Glossory of Ghost Magicks From Haunt Manual Thus Far
Fellow Haunts, let us review the anarchic lexicon that riddles The Haunt Manual thus far:
- Hauntomancy is my praxis that mixes audiomancy (sound or musick sorcery) and other magickal means to hauntologically e/invoke the ghosts of past-selves for varying intentions.
- These Hauntomancy workings are usually done in rituals I have termed “Dim Sessions” – a long practiced audiomancy ritual to “Dim The Tzim-Tzum” or help diminish the contraction of the preternatural that creates our perceivable reality.
- These Dim Sessions are performed with carefully chosen talismans and instrumentation called “Sceptres” specific to their invocation intention. These are my vajra, my charged instruments of application. These are performed in my musickal and magickal space called “The Dimming Room.”
- The first working, The Spectre Working, (Read the chapter: Sine Wave Serpents) called on the self of 2017 – a magickal year of birth that fortified my many current passions using instruments (or Sceptres) from 2017 to call-forth my 2017 self.
- The Aspectre Working (Read the chapter: Disolver Eco Resonar) is a Dim Session that charged and e/invoked an aspect of self I have long sought to get back – the aspect of a creative abandon free from judgement and expectation- a personage I haven’t felt since I was young. This e/invocation was intentionally not year-specific as with Spectre working… however…
“…DRATS! I didn’t want to go back. I’m done with Nostalgia! I demanded to take from then to make new, to make present! But as it turns out, the Aspectre has shown me that this ghost has more than unfinished business than seeing a band I missed 20 years ago: it was time I reassessed the fortified spectre of deep traumatic patchworking that has led me here…
Screw nostalgia, screw nostalgiamancy – how does one keep sentimental without the opium of what-was bleaching their brains?”
On Hauntomantic Contradictions:
“The concept [Hauntology] posited by Jacques Derrida in the early 1990s and relies on the intersections of memories and how we are haunted by the past – a past that anticipated a future that never occurred. This concept was adopted as a genre designator by the cultural theorist Mark Fisher, who suggests that the artists that fall under the umbrella of hauntology are ‘haunted by a paradoxical nostalgia’”
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