Happy Bluemoonoweenhain Part 2!
This track is extremely audiomantic as I drew a unique sigil in the rhythm sequence that drives this desolate desert drive. You can actually view the kernel and genesis of this song via my “Adventures in Audiomancy – Converting Sigils Into Sound” instructional video where I illustrate this sigil into midi:
https://www.youtube.com/watch?v=kHVzQydbGQI
I also channeled the bass melody from speeding up a chant I was voicing during an Audiomancy Ritual.
Every Audio SIgil Tether is built of the same metaphysical intentions and practices.
Audio Sigil Recap:
I am in the process of finalizing 8 compositions that will be the sinew of outstanding tracks from Vanessa Sinclair, Carl Abrahamsson, Derek Hunter, Niish, Tom Whiston, Michelle Embree, Saroth The Mage and many more. Their tracks are the tendons of this audiomantic ritual celebrating our anarchic magicks.
I am approaching the Audio Sigil as if I was scoring an unrealized film with the submissions as major scenes. There’s a lot of movements that morph and mutate into completely different pieces. This is part of a movement that shares skeletal remains with “Knell” -the track released to you prior to this one.
A bulk of my “tethers” utilize an array of ambient sound scapes created by dear friend and frequent collaborator, Eric Millar of Outlet Press. It’s our first musical workings together, and I find that his sonic textures wonderfully haunt the sonic spectrum of my tethers ever so menacingly.
Obviously these are far from finished. I’m just excited to share the progress!
Haunt On,
Keats
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