Howdy Haunts,
Been an interesting October in this new reality tunnel – still constructing a present stasis conclusion (is anything ever concluded?) to “Sine Wave Serpents” as well as a tingling-punch-sprite’ing with big words about my current resolve on the tethers of We The Hallowed, all the while adjusting to this new paradigm of audio/visual technician work OVERtime…
That said, I apologize for not updating too much across the past “hallowed weeks” as I was not only on Anthony Tyler’s Black Hoodie Alchemy discussing HAUNT MANUAL but had a wonderful time (and a rare day-off) speaking with fellow Haunt and brilliant human Michelle Embree about Tarot on Halloween.
I will post both on WtH soon, as well as collect all the creative, ethereal ephemera done these past couple of weeks.
Hallowed’ev’ning spent my rare free time enjoying Mary Joon at one one the highest and lowest places of our fair city, Seattle (A roof of one of the tallest buildings and a shamwow hunkastomp amongst the ghosts and critters of the underground ruins, respectively).
Sorry for the run-ons…who do I think I am? Kerouac?! Damn pisces!
I thought I’d just quickly share an early Dakota Slim review from a famous Portland rag, The Williamette Weekly, circa 2006. Hauntology of the self, right?
Anyway, more in the next few days. On a seven day stretch running audio and video for multiple events throughout Seattle. I guess it’s good that I’m so in need? It feels good to be needed. And I thank all of you for your support!
Haunt on, sweet petites, more soon,
Revel Keats
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